Reuters Institute appoints Anne Godlasky
US journalist Anne Godlasky, named director of Reuters Institute’s journalist programmes.
US journalist Anne Godlasky, named director of Reuters Institute’s journalist programmes.
In one seamless experience, students can access visual learning, verified and cited responses and personalized support, all based on trusted United States Medical Licensing Examination aligned content.
More than 60 Newsquest colleagues slept out overnight in February in support of Centrepoint, Newsquest’s 2026 Charity of the Year, to help raise funds for young people facing homelessness.
Media Trust partners with PA Media Group to mobilise hundreds of professionals in year-long skills-based volunteering programme.
On 4 February, The Washington Post announced the firing of more than 300 employees, approximately one third of its staff.
Elsevier launches HESI’s Personalized Learning Plan to improve nursing students’ clinical readiness.
IOP Publishing signs the Publishers Association UK Publishing Inclusion Pledge.
The ABMS Portfolio Program will leverage Ovid Synthesis, which now features Wolters Kluwer’s Expert AI, to streamline the continuing certification credit process and fast-track patient improvement initiatives.
Reach plc last week announced that it has been officially accredited as a Menopause Friendly Organisation by Henpicked.
In today’s fast-changing media and tech world, publishers need to rethink the way they recruit, train and develop staff, says David Reay.
Emerald Publishing has been announced as one of the 2025 Global Top 100 Inspiring Workplaces.
Bishops Printers has announced the launch of a new wave of investment, not in machines, but in people.
As an industry, we often talk a good game when it comes to diversity but are we putting up barriers to prospective non-middle-class journalists?
Bauer Media has announced the appointment of Paul Broughton as new head of people - UK publishing.
The latest AOP CRUNCH event was titled, ‘Investing in the future: How wider perspectives lead to inclusive narratives and engaged audiences’. The AOP’s Richard Reeves picks out the main talking points.
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