Breaking free
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Most publishers have a wish list a mile long. The challenge they face is knowing what to prioritise and where to start. What will give the biggest bang for their buck? The best approach, says Gemma Spence, is to be product-led.
At the recent PPA Independent Publisher Conference, Matt Kelly interviewed Katie Vanneck-Smith. James Evelegh was in the audience and came away with a 10-point plan.
How does your publishing business measure up on the key metrics? How does what you are doing compare to the rest of the industry? Are you an outlier or part of the mainstream? Jim Bilton’s new mediafuturesPULSE aims to find out…
James Evelegh attended the recent ESco Connect event to find out.
The Sun, one of the UK’s best known newspapers, is investing heavily in its digital future. Paul Hood explains the thinking behind their online strategy.
Young people are curious. They want to know about stuff, but are not engaging with mainstream media when it comes to news consumption. Will Lewis tells Ray Snoddy about his efforts to provide Gen Z with quality news content.
Private Eye, a fortnightly satirical, news and current affairs magazine, has appointed Geoff Elwell to be their new managing director.
WAN-IFRA announced its partnership with TEMS, a consortium of forty-three organisations from fourteen countries in the European cultural and creative sectors.
The latest Digital Publishers’ Revenue Index from the AOP and Deloitte reveals total digital revenue for Q2 2023 was £155.9million, up by 0.3% from Q2 2022.
Time Out last week announced that Kaylie Smith has joined as Managing Director, Time Out Media APAC.
The October edition of Film Stories has a new look and increased pagination, making it, say the publishers, the UK’s biggest film magazine.
One thing has become very clear over the last few months, writes Jim Bilton. The shiny “new stuff” is simply not coming on-stream fast enough to replace the declining “old stuff” in many media companies.
Guardian Media Group has announced that Debbie Klein is to join its board as a non-executive director in September.
Digital media executive Julian Oei has been appointed to the position of group business officer by the open access publisher Frontiers.
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