Goalhanger launches Goalhanger X
Marina Hyde’s Always On becomes the first creator-led media venture from Goalhanger X.
Marina Hyde’s Always On becomes the first creator-led media venture from Goalhanger X.
PA Media has reinstated the Press Association name and launched a new visual identity.
At its peak, Prima sold more than a million copies an issue. As it turns 40, Editor-in-Chief Jo Checkley tells Laura Silverman why listening to readers has been the key to its success.
With big issues like AI and robotics, climate change and space exploration, it’s difficult to keep science off the front pages. But what does all this mean for the science journalists and writers who are forever adding context and explanation?
Over the next 18 months, Terry Hornsby, Reach’s chief product and technology officer, says he’ll be focused on vertical video, editorial cockpits, and the slow, deliberate work of adapting a newsroom to a world that no longer waits for wifi.
The task of explaining this summer’s record-breaking temperatures to an increasingly concerned public falls to environment correspondents. One who has been doing it longer than anyone else is Geoffrey Lean. Ray Snoddy meets him.
Recent dire warnings about AI’s threat to humanity have got Dickon Ross thinking…
Press freedom in the US is under sustained government attack, says James Evelegh.
Toby Wiseman, MD, content, tells us how Hearst UK is using AI now and where he sees the best opportunities for future development.
Roxanne Fisher, director of digital and generative AI content strategy, tells us how Immediate Media is using AI now and where she sees the best opportunities for future development.
Laura Feetham-Walker, head of publishing strategy and performance, tells us how IOP Publishing is using AI now and where she sees the best opportunities for future development.
Sara Forni, product manager at Atex, tells us how publishers are using AI to transform their content, with a particular focus on converting audio into publishable article drafts.
Janniche Moe, chief product officer at Fotoware, tells us how publishers are looking to prove the authenticity of their images in a world of deepfakes.
Nedim Dedic, chief technology officer at Glide Publishing Platform, tells us how publishers are using AI to organise their content and make editorial decisions.
Derek Milne, commercial pixometrist at Pixometry, tells us how publishers are automating the imaging process.
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