As yet, mobile is still a small part of magazine circulation. It is tempting for some publishers to claim that their audience don't buy iPads, or their advertisers won't pay, or it's still all too complicated and they're going to wait until the lands
Gulp… At time of writing, there are four ‘quality’ print newspapers based in London. By the time you read this, who knows? Because, as Peter Preston writes, the qualities are in a precarious position.
A number of surveys conducted earlier in the year highlighted the continuing blurring of boundaries between publishers and retailers. Both are starting to behave like the other! Henry Hyder-Smith looks at these survey results to see what each sector
The AOP has recently published its Content and Trends Census 2012. As always, the Census provides a great deal of valuable insight into digital publishing trends. Tim Cain, head of research and insight at the AOP, summarises the main findings.
As publishers, we either sit on, or have access to, vast data sets, which, if manipulated efficiently and imaginatively, present considerable commercial opportunity. Yet, the size and complexity of the data pool and the shortcomings of existing platf
On 12 October, the AOP held their 2012 digital publishing summit at the Westminster Bridge Park Plaza hotel in London. The theme of the day was ‘unleashing your inner startup’. James Evelegh went along to find out more.
A busy year at Bloomberg Markets magazine is about to climax with the release of their first ‘Billionaires’ issue. James Evelegh met with publisher Michael Dukmejian and Director EMEA, Laurie Benson to find out more.
Duncan Painter, CEO at the Top Right Group, was interviewed by the PPA’s Barry McIlheney at the Digital Publishing Conference on Wednesday and gave some interesting insights into his business philosophy, writes James Evelegh.
In these recessionary times, starting a new business takes nerve, focus and passion. And personal savings, for when the bank says ‘no’. Mark Hayes and Gillian Loughran ticked all these boxes and duly launched Autism Eye last year. Meg Carter talks to
Despite our truly abysmal summer, Gardeners’ World, which relaunched its magazine in March 2011, has continued to build momentum this year. Publishing director Dominic Murray tells us why the brand is thriving.
Following Britain’s brilliant hosting of the Summer Olympics, writes Karlene Lukovitz, what better topic to continue this survey of magazine brand extensions than games?
Data is the fuel that drives the modern B2B publisher. Through intelligent development and use of must-have data, some B2B publishers have succeeded in embedding themselves into the workflow of their key clients and becoming integral parts of the mar
What will the consumer publishing company look like in ten years’ time? Will it be digital only? Will there be any place for print? Nial Ferguson dusts off his crystal ball.
Over the past fifteen years, the internet has turned the media world on its head and, with few exceptions, traditional media companies have been slow to adapt. Tim Brooks looks at why the industry has struggled to come to terms with digital technolog
David Hepworth's regular column, in the September / October 2012 issue of InPublishing magazine.
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