History in the making
James Evelegh's editorial from today’s edition of InPubWeekly.
James Evelegh's editorial from today’s edition of InPubWeekly.
The World Media Group (a strategic alliance of leading media brands) has published a new survey into content-led marketing.
The Big Issue and Konica Minolta are partnering up to offer readers a new way to access exclusive content through the use of the augmented reality (AR) app, genARate.
Stacey Dooley MBE has joined Grazia magazine as Contributing Editor (Investigations) it was announced yesterday.
British GQ and Century, Penguin Random House, yesterday announced that Tony Parsons’ next DC Max Wolfe novel, #taken, will be serialised in its entirety exclusively on GQ.co.uk, ahead of the novel's publication on 18th April 2019.
The Telegraph this week announced the appointment of William Sitwell as a writer and commentator.
The International Federation of Journalists (IFJ) this week published a list of 94 journalists and media staff killed in work-related incidents during 2018.
Reach publications including The Mirror, Express and Daily Star will partner with leading men’s health charity Prostate Cancer UK to produce online and print content in addition to an eight-page booklet, which will be handed out at nine Premier Leagu
The Independent Press Standards Organisation (IPSO) has announced new appointments to its Board and Complaints Committee. They will take up their posts from 1 January 2019.
The Independent Press Standards Organisation (IPSO) yesterday issued guidance for editors and journalists on reporting suicide.
The Royal College of Obstetricians and Gynaecologists (RCOG) has announced Dr Michael Marsh as the Editor-in-Chief of BJOG: An International Journal of Obstetrics and Gynaecology.
This week, the winners of the British Journalism Awards 2018, organised by Press Gazette were announced.
Just weeks after Adobe unveiled the latest version of Creative Cloud at the Los Angeles Adobe MAX conference, vjoon K4 Version 9 is ready for Adobe CC 2019.
With a deep understanding of what appeals to their audiences, editorial teams are expert in designing, creating and curating content that works. With digital workflow tools, they have the means to do it smarter, faster and in a more cost-effective wa
Condé Nast International yesterday unveiled its global creative network, Condé Nast Creative Studio; unifying its eleven creative departments under a single brand identity, dedicated to servicing the needs of commercial partners around the world.
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