Stylist on Friday unveiled its new TV show, Stylist Women of the House, a “safe space” designed to allow discussion on current topics ranging from women’s representation in Westminster, abuse on social media, the effect of alcohol in the Houses of Pa
James Evelegh's editorial from today's edition of InPubWeekly.
LID Publishing has been appointed to the Catalyst and Exchange account, the Chartered Institute of Marketing (CIM) announced yesterday.
The Guardian has announced that it is turning its international weekly newspaper - Guardian Weekly - into a weekly news magazine.
Dennis Publishing, the company behind Auto Express, Carbuyer and evo, is launching DrivingElectric – a new website focusing on electric vehicles.
The Association for Online Publishing (AOP) recently unveiled the full programme for its summit aimed, it says, at giving industry leaders the insights needed for success across the digital publishing industry.
The PPA has announced the shortlist for the PPA Digital Awards 2018.
The PPA has announced the shortlist for this year’s Independent Publishers Awards.
The Independent yesterday launched Independent Minds, which it describes as “a membership scheme for those who value free-thinking journalism”.
Media Futures is an annual benchmarking project, now in its ninth year, undertaken by Wessenden Marketing in partnership with InPublishing. With the fieldwork for 2018 just completed, Jim Bilton looks at the top-level findings.
James Evelegh’s roundup of some of the news stories that caught his eye over the last couple of months.
The Digital Publishing Innovation Summit in June brought together a diverse group of speakers from beyond traditional print publishing: digital start-ups, broadcasters, agencies and brands using content to attract an audience. Carolyn Morgan was ther
There is a lot of negativity in the regional press at the moment, which Oxford Mail editor Samantha Harman is keen to dispel. Success is still possible, and she has seven top tips on how you can go about achieving it.
Thanks to ongoing consolidation, closures and print-to-digital-only conversions, it seems that there are fewer magazine media companies and major consumer titles each time that I check in with you, writes Karlene Lukovitz.
The children’s market works to a different rhythm to the rest of the consumer magazine sector. It’s a world where print still dominates, the licensor is king and where predicting what your audience will relate to is doubly challenging. Meg Carter tal
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