Guardian wins Amnesty International award for Windrush reporting
Amelia Gentleman honoured for exposing injustices inflicted on immigrant generation.
Amelia Gentleman honoured for exposing injustices inflicted on immigrant generation.
The Times was crowned the Daily Newspaper of the Year, with The Sunday Times taking the Sunday Newspaper of the Year title, at the National Press Awards.
Janine Gibson, formerly of Buzzfeed and the Guardian, is to join the editorial leadership team at the Financial Times.
Professor Emmanuel Stamatakis has been appointed the new Editor-in-Chief of BMJ Open Sport & Exercise Medicine.
Immediate Media Co has announced the appointment of Paul McGuinness as new editor for BBC Wildlife Magazine.
97% of local news editors worry that the powerful are no longer being held to account, according to a new survey published in Index on Censorship magazine.
The Society of Editors has written to the government to express its concerns over a report that new regulations to prevent Online Harm could damage press freedom in the UK.
Hugh McIlvanney, who died earlier this year, is widely regarded as the outstanding sportswriter of his generation, and will see an award named after him.
Having exclusive market data is one thing, but if you can’t overlay analysis and interpretation, you’re unlikely to be able to realise its commercial potential. Ciar Byrne talks to Catrin Griffiths, editor of The Lawyer.
Some redesigns are cosmetic, some are radical. The Big Issue’s recent one was a biggie. Paul McNamee talks us through it.
Journalists often wear their battle scars with pride. Thick-skinned tabloid hacks adopted the Millwall mantra, “no one likes us, we don’t care”. But now, the mood is much darker.
‘Going viral’, ‘viral campaigns’ and ‘virality’ are all words and phrases that have entered the digital publishing lexicon in recent years. But what makes a story go viral? And what do publishers have to gain, or fear, from it? Martin Belam reports.
No one doubts publishers’ creativity. The challenge publishers face is monetising that creativity in a world of hugely increased competition. As PCS’s Simon Weare tells James Evelegh, good & agile systems are a key enabler of successful publishing.
Tatler, Condé Nast’s premium title for people who don’t shop on the high street, is enjoying a new lease of life. Kate Slesinger tells Meg Carter why.
Most people understand the reasons for publishers’ cost cutting, but many are left confused and irritated by the convoluted statements that accompany them. Steve Dyson reports.
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