NYT appoints new heads of product design
Earlier this month, the New York Times announced the appointments of Kate Elazegui as head of product design and Matt Raw as deputy head of product design.
Earlier this month, the New York Times announced the appointments of Kate Elazegui as head of product design and Matt Raw as deputy head of product design.
James Evelegh picks out three titles that are selling considerably more copies now than they did 25 years ago.
The purpose of this special feature is to remind us of print’s enduring appeal and to garner insights and tip tips from leading publishers and suppliers on how to execute profitable print publishing strategies.
Print is no longer the default. It’s the premium format. It has presence, weight, and staying power, says Mike Hoy, CEO of Papermule.
Despite seeing digital as the principal route to market for its newspapers, Iliffe Media still sees a long future for print, says Ian Carter, chief operating officer.
Publishers wishing to reduce the cost of their printed publication or improve its sustainability credentials have a number of options, says Julian Townsend, publishing paper sales director at Denmaur.
The two main areas where attention should be focused on are paper & inks and energy, says Steven Renders, general manager of Roularta Printing.
A unified editorial process reduces admin overhead from a set up and support perspective, says James Hirsz, project manager at Atex.
Today’s technology and materials provide the best of all worlds, allowing for stunning creativity, sustainability, and sensory engagement, says Kirk Galloway, CEO and MD of Buxton Press.
If you want results; if you want to build something commercially successful, remarkable, and long-lasting, you need to think creatively, says Chris Ferrari-Wills, national sales manager at The Manson Group.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
A well-structured PDF can serve as an ideal foundation for a compelling digital edition, says Jason Mengers, managing director at Touch Tree Technology.
The purpose of design is to engage readers and ensure they continue reading, says Michael Chinnery, founder of CPUK Print Publishing.
Ahead of InPublishing’s ‘celebration of print’, James Evelegh muses on the special qualities of the medium.
Times Media names Tim Shearring as design and brand director.
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